Episode 127 – The Invitation (2022)



The Invitation features the sexiest vampires this side of Twilight, and in spite of some satisfyingly old-fashioned gothic horror touches, has about as much dramatic heft – or as many scares.

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Episode 126 – Orphan: First Kill



Orphan: First Kill is a wholly unjustified prequel that attempts to top the original’s already ludicrous twist, but is mostly just an inert mess. William Brent Bell is a hack of the first order, and always has been.

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Episode 125 – They/Them



They/Them is a poorly scripted, entirely muddled mess, a shallow coming-of-age trauma-bonding teen drama with a vestigial slasher film appendage.

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Episode 124 – Bodies Bodies Bodies



Some promising early sequences are quickly undone by a melange of poorly-differentiated characters and a distinct underuse of the “dark and stormy night” atmosphere.

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Episode 123 – The Sadness



With suitably gooshy effects and occasionally inspired mayhem, The Sadness is nonetheless often handicapped by its own excesses, falling awkwardly between being too unpleasant and not unpleasant enough.

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Episode 122 – Nope



Jordan Peele has done it again, building terrific popcorn entertainment around stunning, already iconic new horror imagery, impeccable pacing, and note-perfect performances from Daniel Kaluuya, Keke Palmer, Brandon Perea, Steven Yeun, and Michael Wincott.

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Episode 121 – Watcher (2022)



Chloe Okuno’s meticulous direction, an arresting lead performance from Maika Monroe, and a stunner of an ending make this slow burn well worth the watch.

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Episode 120 – The Black Phone



Based on a Joe Hill story, The Black Phone nails a trifecta – strong performances from Ethan Hawke, Madeleine McGraw, and Mason Thames, assured direction by Scott Derrickson, and a smart script from Derrickson and writing partner C. Robert Cargill. It’s a blast.

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Episode 119 – Crimes of the Future



Meet the new sex… very much NOT the same as the old sex. Crimes of the Future isn’t quite vintage Cronenberg, but it’s still plenty good.

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Episode 118 – Men (2022)



Strong performances by Jessie Buckley and Rory Kinnear (in his case, several), as well as some interesting ideas, at least make this film deeply watchable, if utterly confounding.

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