The diminishing returns inherent to horror sequels are never more apparent than when you make a sequel to a horror comedy that’s a rock-solid… 5.5/10.
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Michael Mann’s follow-up to Thief is a beautiful but incomprehensible hodgepodge – incomprehensible both on a plot basis, and because you can’t hear what the fuck anyone is saying.
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Justin Simien’s tale of a demonic weave has some tonal inconsistencies and juggles a variety of somewhat incompatible influences, but the end result is generally a good time.
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Paul Verhoeven’s take on the Invisible Man formula is just as sleazy and outlandish as you might expect.
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