A few nice early touches and Nicolas Cage’s committed performance are undone by Renfield‘s being half a cop movie – and not a particularly good one, at that.
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Featuring some Raimi-esque pulp and an engaging performance from Russell Crowe – ropey Italian accent and all – Julius Avery’s latest film is a solid entry in the exorcism subgenre.
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With his pitch-black pinhole glimpses of chaos in the desert, Robbie Banfitch clearly wants to put our imaginations to work, but he doesn’t leave us quite enough to work with.
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