While it’s hampered by a muddled climax, strong direction and performances make Nia DaCosta’s film a worthy heir to the Candyman mantle.
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David Bruckner’s latest film benefits from a typically strong Rebecca Hall performance, a minimum of spookhouse nonsense, and an oppressive atmosphere – even if the closing line is a bit of a dud.
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This unnecessary sequel makes a hero out of the villain of the original, gives him home field advantage, and thereby drains all suspense from the concept.
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