A gorgeous and visually striking tone poem, Mark Jenkin’s film might leave you wanting in the story and character department.
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A promising beginning is entirely drowned in a tidal wave of bad screenwriting and shoddy direction. Jena Malone and Danny Huston deserved better.
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Refreshingly not about capital-T trauma, Lee Cronin’s entry is another win for a franchise that, in 40 years, has yet to miss.
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A few nice early touches and Nicolas Cage’s committed performance are undone by Renfield‘s being half a cop movie – and not a particularly good one, at that.
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Featuring some Raimi-esque pulp and an engaging performance from Russell Crowe – ropey Italian accent and all – Julius Avery’s latest film is a solid entry in the exorcism subgenre.
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With his pitch-black pinhole glimpses of chaos in the desert, Robbie Banfitch clearly wants to put our imaginations to work, but he doesn’t leave us quite enough to work with.
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Reaching a new low for the franchise, Scream VI spends most of its runtime insisting that everything is different and all bets are off, only to keep rehashing the same tired tropes.
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For a sub-80-minute film, Sick feels weirdly bloated, and yet at the same time, suffers from a disappointing lack of ambition.
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Featuring good performances but a slightly flabby second act, Knock at the Cabin settles comfortably into the middle tier of M. Night Shyamalan’s oeuvre. It doesn’t really work as a climate change allegory, though.
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Drab, incoherent, and brainless from start to finish, Fear is the result of director Deon Taylor hurling a bunch of tropes at the wall and seeing what sticks – and nothing does.
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