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Episode 129 – Pearl (2022)

The back end of Pearl isn’t as visually arresting as its opening act, and suffers from some scripting issues, but the film is a knockout showcase for Mia Goth’s delightfully broad performance.

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Episode 128 – Barbarian (2022)

Although it falters a bit in the back half, Barbarian has a killer opening act and an assortment of thrilling hard left turns in plot and style sprinkled throughout.

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Episode 127 – The Invitation (2022)

The Invitation features the sexiest vampires this side of Twilight, and in spite of some satisfyingly old-fashioned gothic horror touches, has about as much dramatic heft – or as many scares.

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Episode 126 – Orphan: First Kill

Orphan: First Kill is a wholly unjustified prequel that attempts to top the original’s already ludicrous twist, but is mostly just an inert mess. William Brent Bell is a hack of the first order, and always has been.

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Episode 125 – They/Them

They/Them is a poorly scripted, entirely muddled mess, a shallow coming-of-age trauma-bonding teen drama with a vestigial slasher film appendage.

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Episode 124 – Bodies Bodies Bodies

Some promising early sequences are quickly undone by a melange of poorly-differentiated characters and a distinct underuse of the “dark and stormy night” atmosphere.

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Episode 123 – The Sadness

With suitably gooshy effects and occasionally inspired mayhem, The Sadness is nonetheless often handicapped by its own excesses, falling awkwardly between being too unpleasant and not unpleasant enough.

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Episode 122 – Nope

Jordan Peele has done it again, building terrific popcorn entertainment around stunning, already iconic new horror imagery, impeccable pacing, and note-perfect performances from Daniel Kaluuya, Keke Palmer, Brandon Perea, Steven Yeun, and Michael Wincott.

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Episode 121 – Watcher (2022)

Chloe Okuno’s meticulous direction, an arresting lead performance from Maika Monroe, and a stunner of an ending make this slow burn well worth the watch.

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Episode 120 – The Black Phone

Based on a Joe Hill story, The Black Phone nails a trifecta – strong performances from Ethan Hawke, Madeleine McGraw, and Mason Thames, assured direction by Scott Derrickson, and a smart script from Derrickson and writing partner C. Robert Cargill. It’s a blast.

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