Refreshingly not about capital-T trauma, Lee Cronin’s entry is another win for a franchise that, in 40 years, has yet to miss.
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With suitably gooshy effects and occasionally inspired mayhem, The Sadness is nonetheless often handicapped by its own excesses, falling awkwardly between being too unpleasant and not unpleasant enough.
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V/H/S/94 is a vast improvement over its immediate predecessor, but lags behind the first two films, providing a goofy, grindhouse atmosphere but forgetting to be frightening.
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Your Masters of Microphoning meander through another Johannes Roberts misfire, albeit one that appears to make some fanboys very excited.
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Zack Snyder’s return to the zombie genre finds him still plagued by the self-seriousness of his superhero films, even as he tries to recapture the breezy tone of Dawn of the Dead ’04.
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The deft noir flourishes and political subtext of Jeff Barnaby’s zombie thriller complement, rather than detract from, the delightfully gooshy practical effects and post-apolcalyptic chaos.
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With his latest film, Yeon Sang-ho has achieved a zombie hat trick, even by Matt’s stringent standards for the subgenre.
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This deliriously funny deconstruction of zombie filmmaking is an instant classic that Matt and Jim are glad to have picked for the 50th episode of the podcast.
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In this long-delayed sequel to Zombieland, Matt and Jim find that it’s not the familiar that grates on you, but the new, different, and terrible.
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Despite the occasional spurt of humor, Matt thinks this movie is an expression of deep-seated depression on the part of Jim Jarmusch. His co-host finds it hard to disagree.
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