This blatant Body Snatchers knockoff has nothing to contribute to the formula, except an unnecessarily convoluted life cycle for the pod people.
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In Ivan Kavanagh’s latest film, a young woman who escaped a cult finds that her idyllic life with her son has an expiration date.
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Matt and Jim can’t decide which is more horrifying: Hunter’s marriage, or her rapidly escalating case of pica. Just kidding – it’s definitely her marriage.
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Those hoping for dose of vintage Cage Rage from this Five Nights at Freddy’s knockoff will be sorely disappointed. In Matt’s words, “Cage spent too much of the movie faffing about, or should I say, FNAFing about.”
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The Vigil adds a relatively strong and low-key entry to the decidedly mixed bag of the Jewish demon horror subgenre.
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In Matt’s words, “Praise be, praise be.” Saint Maud has finally arrived, and it does not disappoint.
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In spite of one particularly striking spooky image and a mercifully grounded portrayal of autism, Come Play is an uneasy amalgam of too many incompatible genre tropes.
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While the film’s message of (trans-inclusive) female empowerment is certainly more enlightened than the “women can’t handle ultimate power” implications of the 1996 original, The Craft: Legacy also loses much of its predecessor’s trashy fun, and doesn’t replace it with much else.
Apologies for the late upload. We’ve had a busy last few days. Please follow us on Twitter @ShockDoctorsPod, on Facebook at facebook.com/shockdoctorspod, or check us out on Apple Podcasts, Spotify, Stitcher, or Tune In.
Got an idea for the next movie you’d like us to check out? Feel free to send us a DM on social media, or email us at shockdoctorspod@gmail.com.
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