Category: Theatrical Release

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Episode 129 – Pearl (2022)

The back end of Pearl isn’t as visually arresting as its opening act, and suffers from some scripting issues, but the film is a knockout showcase for Mia Goth’s delightfully broad performance.

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Episode 128 – Barbarian (2022)

Although it falters a bit in the back half, Barbarian has a killer opening act and an assortment of thrilling hard left turns in plot and style sprinkled throughout.

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Episode 127 – The Invitation (2022)

The Invitation features the sexiest vampires this side of Twilight, and in spite of some satisfyingly old-fashioned gothic horror touches, has about as much dramatic heft – or as many scares.

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Episode 126 – Orphan: First Kill

Orphan: First Kill is a wholly unjustified prequel that attempts to top the original’s already ludicrous twist, but is mostly just an inert mess. William Brent Bell is a hack of the first order, and always has been.

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Episode 124 – Bodies Bodies Bodies

Some promising early sequences are quickly undone by a melange of poorly-differentiated characters and a distinct underuse of the “dark and stormy night” atmosphere.

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Episode 122 – Nope

Jordan Peele has done it again, building terrific popcorn entertainment around stunning, already iconic new horror imagery, impeccable pacing, and note-perfect performances from Daniel Kaluuya, Keke Palmer, Brandon Perea, Steven Yeun, and Michael Wincott.

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Episode 120 – The Black Phone

Based on a Joe Hill story, The Black Phone nails a trifecta – strong performances from Ethan Hawke, Madeleine McGraw, and Mason Thames, assured direction by Scott Derrickson, and a smart script from Derrickson and writing partner C. Robert Cargill. It’s a blast.

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Episode 119 – Crimes of the Future

Meet the new sex… very much NOT the same as the old sex. Crimes of the Future isn’t quite vintage Cronenberg, but it’s still plenty good.

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Episode 118 – Men (2022)

Strong performances by Jessie Buckley and Rory Kinnear (in his case, several), as well as some interesting ideas, at least make this film deeply watchable, if utterly confounding.

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Episode 117 – Firestarter (2022)

A flawed but entertaining Stephen King property from the ’80s is turned into dimly lit, poorly written CGI capeshit.

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