Even if The Menu doesn’t qualify as horror comedy haute cuisine, there are some tasty morsels knocking around in there. Ralph Fiennes is a delight.
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Prey for the Devil is a movie that is impossible to care about, a worse-than-average exorcism film in a subgenre where “average” is a pretty low bar to clear.
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Halloween Ends – about two movies too late. The film is a misbegotten mess, top to bottom, riddled with baffling story decisions and underwhelming direction.
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In spite of a few solid scares, Smile is too full of same-y mystery thread-pulling – and in Matt’s opinion, annoying cops – to really succeed.
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The back end of Pearl isn’t as visually arresting as its opening act, and suffers from some scripting issues, but the film is a knockout showcase for Mia Goth’s delightfully broad performance.
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Although it falters a bit in the back half, Barbarian has a killer opening act and an assortment of thrilling hard left turns in plot and style sprinkled throughout.
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The Invitation features the sexiest vampires this side of Twilight, and in spite of some satisfyingly old-fashioned gothic horror touches, has about as much dramatic heft – or as many scares.
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Orphan: First Kill is a wholly unjustified prequel that attempts to top the original’s already ludicrous twist, but is mostly just an inert mess. William Brent Bell is a hack of the first order, and always has been.
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Some promising early sequences are quickly undone by a melange of poorly-differentiated characters and a distinct underuse of the “dark and stormy night” atmosphere.
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Jordan Peele has done it again, building terrific popcorn entertainment around stunning, already iconic new horror imagery, impeccable pacing, and note-perfect performances from Daniel Kaluuya, Keke Palmer, Brandon Perea, Steven Yeun, and Michael Wincott.
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