This unnecessary sequel makes a hero out of the villain of the original, gives him home field advantage, and thereby drains all suspense from the concept.
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Do you have a friend who’s really bad at handling stress? Imagine cloning them six times, tossing them in a deadly box, and being forced to watch them scream at each other for 88 minutes.
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“Well, uh… the Purge is over, but it’s, like, forever now.”
That’s it. That’s the post.
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The Warrens’ third (fourth?) entry in the James Wan Expanded Universe in the weakest yet, completely lacking in scares and drowning in jargon.
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Now that the creatures have proven to be mortal, some of the tension of the original film has dissipated. But A Quiet Place Part II still has a lot going for it.
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With a villain whose voice wouldn’t scare a toddler, and burdened by a neverending parade of cop cliches, Spiral is as tedious as its full title.
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With his latest film, Yeon Sang-ho has achieved a zombie hat trick, even by Matt’s stringent standards for the subgenre.
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While the film’s message of (trans-inclusive) female empowerment is certainly more enlightened than the “women can’t handle ultimate power” implications of the 1996 original, The Craft: Legacy also loses much of its predecessor’s trashy fun, and doesn’t replace it with much else.
Apologies for the late upload. We’ve had a busy last few days. Please follow us on Twitter @ShockDoctorsPod, on Facebook at facebook.com/shockdoctorspod, or check us out on Apple Podcasts, Spotify, Stitcher, or Tune In.
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The diminishing returns inherent to horror sequels are never more apparent than when you make a sequel to a horror comedy that’s a rock-solid… 5.5/10.
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The sequel nobody asked for to a movie nobody liked, The Gallows Act II also attempts to hitch its wagon to a viral fad long since faded into irrelevance.
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