Anthony DiBlasi elected to remake his own film, 2014’s Last Shift, and frankly, he did better the first time.
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David Bruckner’s reboot of the 80s horror staple is a little too rigid, a little too sanitized… and frankly, just doesn’t raise all that much hell. But Jamie Clayton and Odessa A’zion are terrific.
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A flawed but entertaining Stephen King property from the ’80s is turned into dimly lit, poorly written CGI capeshit.
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The latest entry in the long-running franchise is not entirely without merit, but enduring all of the “requel” discourse is about as much fun as watching Reddit projected onscreen for 114 minutes.
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While the film’s message of (trans-inclusive) female empowerment is certainly more enlightened than the “women can’t handle ultimate power” implications of the 1996 original, The Craft: Legacy also loses much of its predecessor’s trashy fun, and doesn’t replace it with much else.
Apologies for the late upload. We’ve had a busy last few days. Please follow us on Twitter @ShockDoctorsPod, on Facebook at facebook.com/shockdoctorspod, or check us out on Apple Podcasts, Spotify, Stitcher, or Tune In.
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Leigh Whannell continues a successful post-James Wan career with a nervy thriller that reminds us – the terror of the unseen is the most unsettling of all.
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There are good remakes of J-horror, and there are bad ones. This one? Well, let’s just say William Sadler’s Detective Wilson may have had the right idea.
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Did Black Christmas need to be remade? As was the case in 2006, the answer is… probably not.
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Matt and Jim discover that Gary Dauberman’s script has rendered Andy Muchietti’s second It film terminally wacky, in spite of some strong performances and cast chemistry.
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Surprise, everyone! We’re a week early. Matt and Jim discover that Child’s Play loses something when you cut out the voodoo and Brad Dourif screaming gibberish.
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