While not without its pitfalls, this remake of the 80s slasher is still quite entertaining, and continues the franchise’s improbably strong record.
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The saggy midsection of a trilogy that should only have been one movie – or none at all – this latest installment is shapeless, bottom-of-the-barrel stuff. Just woeful.
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This latest lifeless rehash of a 90s slasher is a little less self-serious than Screams V and VI, but probably also dumber.
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After 200 podcasts, we’ve watched some great movies and a whole lot of crap. Give a listen as we pick out our favorite and least favorite subjects of past episodes.
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Seemingly at war with itself and unable to settle on its core themes, Wolf Man is a big step down from Leigh Whannell’s first Universal Monster flick, 2020’s The Invisible Man.
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It may not be Eggers’ best work, but that’s a very high bar to clear. This is a beautifully shot, handsomely mounted reimagining of the landmark silent film, with standout performances all around.
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This remake of the 2022 Danish film suffers from a stultifying fidelity to the original – except in two major respects, where there has been a decided downgrade. A waste of a very strong cast.
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This disposable, drab, tension-free nothing of a requel is only the first entry in a trilogy that’s already been shot. God help us.
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Anthony DiBlasi elected to remake his own film, 2014’s Last Shift, and frankly, he did better the first time.
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David Bruckner’s reboot of the 80s horror staple is a little too rigid, a little too sanitized… and frankly, just doesn’t raise all that much hell. But Jamie Clayton and Odessa A’zion are terrific.
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