Category Archives: Period Piece

Episode 157 – The Last Voyage of the Demeter



Even with its slam-dunk premise, we didn’t love “Dracula on a Boat.” However, it gets points for hearkening back to 90s and early 2000s Universal monster flicks.

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Episode 151 – Enys Men



A gorgeous and visually striking tone poem, Mark Jenkin’s film might leave you wanting in the story and character department.

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Episode 147 – The Pope’s Exorcist



Featuring some Raimi-esque pulp and an engaging performance from Russell Crowe – ropey Italian accent and all – Julius Avery’s latest film is a solid entry in the exorcism subgenre.

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Episode 139 – Skinamarink



Skinamarink is not a perfect film, but it’s so weird and singular that we might not change a thing about it.

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Episode 136 – Bones and All



While not quite up to the standards of his prior work, Luca Guadagnino’s cannibal romance road movie is moody, occasionally arresting, and driven by good performances all around.

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Episode 134 – V/H/S/99



V/H/S/99 marks the series’ full-on tonal shift into Creepshow-esque horror comedy, which ultimately proves detrimental. Better than V/H/S Viral, but that’s not saying much.

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Episode 129 – Pearl (2022)



The back end of Pearl isn’t as visually arresting as its opening act, and suffers from some scripting issues, but the film is a knockout showcase for Mia Goth’s delightfully broad performance.

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Episode 120 – The Black Phone



Based on a Joe Hill story, The Black Phone nails a trifecta – strong performances from Ethan Hawke, Madeleine McGraw, and Mason Thames, assured direction by Scott Derrickson, and a smart script from Derrickson and writing partner C. Robert Cargill. It’s a blast.

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Episode 112 – X



After nearly a decade away from the genre, Ti West still builds tension as well as anyone in the business, but old people having sex isn’t quite as repulsive as he wants it to be.

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Episode 111 – The Cursed



Period creature-feature goodness and an interesting twist on the mechanics of lycanthropy are diminshed by pacing issues, a sometimes-drab color palette, and some questionable choices about the film’s Roma pseudo-antagonists.

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