One of the four initial entries in the “Welcome to the Blumhouse” film series, Nocturne doesn’t quite measure up to other tales of artistic obsession.
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“Name one time I was ever a bad mother.” Every time. All of the times.
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Bryan Bertino’s latest film is strong on atmosphere and boasts some genuine scares, but sometimes gets bogged down in a miasma of indiscriminate misery.
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Death of Me adds a distinctly undistinguished new entry to the ethically fraught “scary foreigners” subgenre.
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Two and a half years on the shelf didn’t do this movie any favors. In retrospect, maybe it should have stayed there.
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This tale of the immigrant and refugee experience is harrowing in more ways than one.
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The diminishing returns inherent to horror sequels are never more apparent than when you make a sequel to a horror comedy that’s a rock-solid… 5.5/10.
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Justin Simien’s tale of a demonic weave has some tonal inconsistencies and juggles a variety of somewhat incompatible influences, but the end result is generally a good time.
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David Koepp’s House of Leaves riff is best described, in Matt’s words, as “medium clever.”
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Don’t believe the marketing – or last episode’s outro – Antebellum has nothing to do with time travel, except maybe in the sociological sense.
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