Even if The Menu doesn’t qualify as horror comedy haute cuisine, there are some tasty morsels knocking around in there. Ralph Fiennes is a delight.
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V/H/S/99 marks the series’ full-on tonal shift into Creepshow-esque horror comedy, which ultimately proves detrimental. Better than V/H/S Viral, but that’s not saying much.
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The back end of Pearl isn’t as visually arresting as its opening act, and suffers from some scripting issues, but the film is a knockout showcase for Mia Goth’s delightfully broad performance.
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Some promising early sequences are quickly undone by a melange of poorly-differentiated characters and a distinct underuse of the “dark and stormy night” atmosphere.
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The latest entry in the long-running franchise is not entirely without merit, but enduring all of the “requel” discourse is about as much fun as watching Reddit projected onscreen for 114 minutes.
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Those hoping for dose of vintage Cage Rage from this Five Nights at Freddy’s knockoff will be sorely disappointed. In Matt’s words, “Cage spent too much of the movie faffing about, or should I say, FNAFing about.”
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Christopher Landon’s “Freaky Friday the 13th” genre riff is not nearly as clever as he thinks it is.
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The diminishing returns inherent to horror sequels are never more apparent than when you make a sequel to a horror comedy that’s a rock-solid… 5.5/10.
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Justin Simien’s tale of a demonic weave has some tonal inconsistencies and juggles a variety of somewhat incompatible influences, but the end result is generally a good time.
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This deliriously funny deconstruction of zombie filmmaking is an instant classic that Matt and Jim are glad to have picked for the 50th episode of the podcast.
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