Category: Body Horror

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Episode 193 – V/H/S/Beyond

The seventh installment in the found footage anthology franchise is perhaps a half-step above the period-piece trilogy that preceded it, but as Matt says, it’s getting increasingly hard to care or sit through the undifferentiated stew we’re presented with time and again. The Flanagan-Siegel segment is an exception.

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Episode 192 – Nosferatu (2024)

It may not be Eggers’ best work, but that’s a very high bar to clear. This is a beautifully shot, handsomely mounted reimagining of the landmark silent film, with standout performances all around.

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Episode 191 – Stopmotion

Robert Morgan is a gifted animator, but the stopmotion vignettes that give this film its narrative spine don’t tell enough of a story to keep us fully invested. That said, Aisling Franciosi is terrific.

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Episode 190 – Apartment 7A

This Rosemary’s Baby prequel has visual style and strong performances, but fails to engender the same paranoid dread as the original.

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Episode 187 – Smile 2

Bigger and dumber than its predecessor, Smile 2 trudges through an interminable series of foregone conclusions while screaming its themes at the audience as loudly as possible.

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Episode 185 – The Substance

The Substance is a movie with three standout performances and a lot of panache that is weighted down by its own excesses, and a habit of repeating itself.

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Episode 183 – The Front Room

The directorial debut of Robert Eggers’ younger brothers Max and Sam is an uneasy mishmash of influences, on top of being a tedious scatological assault on the senses.

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Episode 181 – Alien: Romulus

Alien: Romulus is not without its merits – set design and visual style in particular – but it suffers from an excess of fanservice callbacks, and the AI revenant of Ian Holm was a serious misstep.

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Episode 173 – I Saw the TV Glow

Reminiscent of both halves of Twin Peaks and redolent with curdled 90s nostalgia, I Saw the TV Glow nonetheless provoked a Siskel-and-Ebert disconnect between Matt and Jim.

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Episode 170 – The First Omen

A handsomely-crafted legacy prequel that features great performances, oodles of atmosphere, and some solid scares, even if some of its departures from the original don’t quite gel.

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