Nanny is visually gorgeous and chock-full of great performances, but eventually descends into “fugue soup,” and the overwhelming water motif spoils the ending.
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The lack of a clear primary protagonist, poor integration of witchcraft elements, and a compromised would-be bombshell in the third act combine to limit the impact of the film’s important message and suitably oppressive mood.
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One of the four initial entries in the “Welcome to the Blumhouse” film series, Nocturne doesn’t quite measure up to other tales of artistic obsession.
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